The obelisk from Piazza della Rotonda
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The Pantheon, coming from the Greek Pantheion, means "temple dedicated to all the gods." It was a temple in the Roman times, but since has been converted to a church. It is located in the Piazza della Rotonda.
Piazza della Rotonda was built during the papacy of Pope Eugenius IV (1431-39), clearing the existing small shops. The fountain in its center was commissioned by Pope Gregory XIII and designed by Giacomo Della Porta in 1575, and the obelisk was added in 1711 during Pope Clement XI's papacy. The obelisk was originally constructed by Pharaoh Ramses II for the Temple of Ra in Heliopolis before it was brought to Rome. It was found in 1374 underneath the apse of the nearby Basilica of Santa Maria sopra Minerva and brought initially to the small Piazza di San Macuto before being moved to the Piazza della Rotonda.
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The construction of the Pantheon is circular, and the façade has a monumental entrance, with a portico with three rows of large granite Corinthian columns and a pediment, following the model of the ancient Greek temples. On the pediment, the following inscription is carved: "M[arcus].Agrippa.L[ucii].f[ilius].co[n]s[ul].tertium.fecit", meaning "Marcus Agrippa, son of Lucius, made [this building] when consul for the third time".
The interior is round, built in marble and covered by a dome, which is perhaps its most recognizable feature. The light comes through an open, round laminator called the Oculus, allowing the rain to fall inside the building, and the floor is built with a slope so the water flows into the drainage system.
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Cupola with the open, round laminator called Oculus
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The most famous artwork housed in Pantheon is the "Annunciation" by Melozzo da Forlì, located in the Chapel of the Annunciation, which is the first chapel on the right. On the right wall is the "Incredulity of St Thomas" (1633) by Pietro Paolo Bonzi. The high altars and the apses were designed by Alessandro Specchi, and the choir was designed and built to Luigi Poletti in 1840.
There are a number of other notable artworks here. On the first niche to the left of the entrance is an Assumption (1638) by Andrea Camassei, in the third niche on the right there is the sculpture called the "St Anne and the Blessed Virgin" by Il Lorenzone, and in the last niche on the right there is a statue of Saint Anastasio (1725) by Bernardino Cametti. In the Chapel of St Joseph in the Holy Land, which is the first chapel on the left, there are two paintings (1661) by Francesco Cozza: "Adoration of the Shepherds" on left and "Adoration of the Magi" on the right. On the vault, there are several 17th-century canvases, from left to right: "Cumean Sibyl" by Ludovico Gimignani, "Moses" by Francesco Rosa, "Eternal Father" by Giovanni Peruzzini, and "David" by Luigi Garzi.
Several famous people were buried in Pantheon: King Victor Emmanuel II in a chapel, Umberto I and his wife Margherita di Savoia, in the opposite chapel, painters Raphael and Annibale Carracci, the composer Arcangelo Corelli, and the architect Baldassare Peruzzi.
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Chapel of the Crucifixion - altar
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Statue of St. Joseph and the Holy Child
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The Pantheon was commissioned by Marcus Agrippa during Emperor Augustus reign. Around 110 AD, Agrippa's temple was destroyed a second time in a fire and in 114 AD Emperor Trajan started to rebuild it, having his architect, Apollodorus of Damascus, design it. It was finished by Emperor Hadrian and modeled after the original temple built by Agrippa. Agrippa's inscription was retained on the temple's façade.
In 609 AD Pantheon was converted to a Christian Roman Catholic church by Pope Boniface IV and consecrated to Saint Mary and the Martyrs. Thus in the 7th century, a bell tower was added, and in the 19th century replaced by two bell towers designed by Gian Lorenzo Bernini, one on each side of the dome. Because of the resemblance with two ears, they were nicknamed "the donkey ears of Bernini". They were demolished in 1883.